総合芸術としての舞踊

Abstract

Dance works have existed essentially as Gesamtkunstwerk (total arts). The subject of writing is to show what is for dance to collaborate with other arts, how dance works have developed and changed through it, and after all why it is essential for dance to exist. And this subject suggests also what a new horizon the totality in dance has developed, in the way that the structure of dance itself has changed during the process from performing arts to performance arts. The point of the totality is a merkmal to indicate the ontologisch structure of dance.