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Please use this identifier to cite or link to this item: http://ir.jwcpe.ac.jp/dspace/handle/123456789/714

Title: ノヴェールにおける「パントミム」
Other Titles: Noverre's view on “pantomime”
Authors: 森, 立子
Mori, Tatsuko
モリ, タツコ
日本女子体育大学(准教授)
Keywords: Noverre
ballet
dance history
pantomime
Issue Date: Mar-2016
Abstract:  The present study was undertaken in order to elucidate Jean-Georges Noverre's view on “pantomime” in his theoretical work Lettres sur la danse, et sur les ballets (1760).  Noverre regards pantomime as one of the most essential elements in ballet. However, as he points out, it cannot be acquired as a mechanical technique, being a bodily process resulting from the inner workings of a performer. In other words, “pantomime” is neither a series of prescribed movements nor the combination of them. It should rather be understood, in Noverre's writings, as a more unfettered expression that stems from the emotions aroused in the performers' mind.  The result of this study indicates that we should not interpret Noverre's “pantomime” as equivalent to “ballet mime” in today's sense.
URI: http://ir.jwcpe.ac.jp/dspace/handle/123456789/714
ISSN: 02850095
Appears in Collections:第46巻

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